What others say:

In Signs and Symptoms, Gál relates the difficulties of communication to the breakdown of affinity or communion between speaking subjects.

— Seth Rogoff, Asymptote

Against this philosophical text [...] the illustrations – a series of nude self portraits by Slovak photographer Lucia Nimcová – play against the text like a sort of dance. As illustrations they are intentionally metaphoric, but I found that the contrast of remote or removed images, frequently showing no head or face, against tight close ups, foster a separate and unique philosophical monologue that works well to complement or contradict the text, both being valid and desirable effects...

— roughghosts

Signs and Symptoms is the stunning account of an intellectual coming to terms with the fact that his intellect will serve him only so much and no more. The intelligent person has "faith" in their intellect as much as the reverent person has "faith" in their God. How shattering to find that both faiths are tenuous and may collapse at the slightest breath. But what a revelation to chronicle such a collapse.

— Damian Kelleher

I have to say that Gál's work seduces me in a way that poetry often does: it stands the mind up on a high wire stretched between absurdity and wholeness.

— The Perpetual Bird

Rather than aphorisms, these are fragments of thought. As I was reading Gál's maxims I thought of Miguel de Unamuno, but I don't think that Gál is a Czechoslovak philosopher of Unamuno's standing. He is too young. Though in reading his fragments I asked myself anxiously: Is he really that young?

— Ivan [Magor] Jirous

Gál's aphorisms combine incisive question-raising and gently troubling images involving Time, God ("Even with God's help, hell is possible"), and existential self-awareness ...

— The Antioch Review

The author nevertheless makes apt and interesting use of the aphorism, occasionally lighting on that genuine nuance of meaning and language that is the ideal of the form . . . Signs and Symptoms does carry enough intellectual weight and sustaining interest to be a worthwhile read.

— The Absinthe Literary Review

Róbert Gál, a persona somewhere between an uncharming Blake and a charming Lacan, presents us with his book, Signs & Symptoms, a collection of fragmented and sometimes scattered thoughts focusing mainly on deciphering death and the life that leads to it. Sometimes, the collection seems like a series of tiny twigs that a frantic Gál, tries to stick into the rolling wheels of time. Other times, they are a peaceful meditation of the journey. ... But the whole thing is a rant — fragmented, sometimes distraught, sometimes peaceful — and a rant is very charged and wired, not always concerning itself with a listener or the clear articulation that goes along with communication.

— NewPages

Róbert Gál, even in his earliest texts, understood that aphoristic expression stripped to the bare bones creates the semantic field, into which enters both the strong message and the quiet which anticipates and follows the field. Sometimes it is even possible to capture momentarily the silence of things, which merely watch our world.

— Ladislav Sery

[I]maginative and equivocal philosophical riddles, which either skillfully paraphrase the words of the wise, curiously rephrase well-known proverbs, or present purely poetic ciphers.

— Mladá fronta Dnes

Signs & Symptoms forced me to think again, to think anew, to experience knowing as "a narrow, twisting hallway, lit by a fuse."

— American Book Review

The writing of Mr. Gál is very good ... Each page will have you talking to yourself and yes, you will answer. What more can you ask of a book?

— the muse apprentice guild

Actually, the structure of Gál's book — or lack thereof — is reminiscent of free jazz itself, with its incessant and endless riffing on metaphysical themes such as freedom, truth, death, and the nature of language itself, while fearlessly penetrating more obscure subjects not often dealt with in the practice of philosophy as an academic discipline; like Cioran and more writerly philosophers such as Nietzsche, Gál is a poet in the true sense of the word.

— Travis Jeppesen (author of Victims)

In our millennium, a time of reduction and minimization, the aphorism has rightly returned. Its master is Róbert Gál.

— The Forward